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31.7.2016 | Redacción
· Para todos los gustos: 116 exposiciones abiertas al público este verano en España (and some others arround the world)
Imagen: Nick Hannes. Izola, Eslovenia / © Nick Hanne via Centro Andaluz de la Fotografía
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3.9.2015 | David García
Kino Acosta (Madrid, 1974) es un fotógrafo hecho y derecho, un profesional. Basta ver su galería de retratos para comprobar que maneja los recursos propios de su oficio -iluminación, composición, expresión, vestuario, maquillaje…- al nivel que exigen las marcas internacionales del lujo, que es el máximo. Para llegar a ellas hay que ser un poco […]
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6.6.2015 | A. G. Abella
· Irina Nakhova
· Venice Art Biennale. Russian Pavilion
· 9May-22Nov 2015
El pabellón ruso expone por primera vez el trabajo de una mujer, Irina Nakhova (Moscú, 1955) que vive y trabaja entre Rusia y Estados Unidos. Otras dos mujeres completan el equipo, Stella Kesaeva, presidenta de la Stella Art Foundation, promotora del arte ruso contemporáneo, y la comisaria independiente Margarita Masterkova, experta reconocida en las Vanguardias rusas. “El Pabellón verde” es un homenaje al edificio construido en 1913 por el arquitecto Aleksey Schusev pero repleto ahora de señales nuevas sobre los viejos mensajes.
Imagen: Gran máscara de gas, instalación de Irina Nakhova en el pabellón ruso de la Bienal de Venecia / Cortesía The Russian Pavillion
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1.6.2015 | Redacción
Artistas: Emilia Enríquez, Guillermo Summers G., Shota Uehara, César Galicia, Juan Díaz, Jorge Palacios, Gerard Fernández Rico, Carlos Evangelista, Fernando Alcalde, Francesca Greco, Pepe Botella, Alejandro Cabrera, Pep Carrió, Peter Müller Peter, Isidro Ferrer ………………………………………………………………………………………….………. Emilia Enríquez. La Felicidad Amenazada Guillermo Summers G. Pruebas de Vida Shota Uehara. A la Caza del Trofeo de Caza […]
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20.5.2015 | A. G. Abella
· Chiharu Shiota
· Venice Art Biennale. Padiglione Giapponese
· 9May-22Nov 2015
El pabellón de Japón presenta una espectacular escenografía, el escenario de una ópera en la que se nos ha dejado representar el papel protagonista. Su autora, la japonesa Chiharu Shiota, lleva un año preparando la obra que asombra en la Bienal por su potencia visual y su emoción evocadora.
Imagen: Chiharu Shiota, 'The Key in the Hands' / Photo: © Camila Boschetti
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1.4.2015 | A. G. Abella
· Niki de Saint Phalle
· Guggenheim Bilbao
· 27.02.2015 — 11.06.2015
Una mayoría piensa que Niki es una guapa y dócil modelo que se fotografía luciendo joyas de Cartier para las revistas de moda. O una artista que pinta y construye señoras enormes con vestidos floreados. Pero no. La obra de Niki es una provocación y representa una ruptura con los estereotipos de su tiempo. Niki dispara.
Imagen: Niki de Saint Phalle trabajando, 1961 / Photo: Harry Shunk - Janos Kender. The Lichtenstein Foundation
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30.3.2015 | David García
· Yan Pei-Ming
· CAC Malaga
· 20.03.2015 - 14.06.2015
· Adel Abdessemed
· CAC Malaga
· 27.03.2015 - 5.06.2015
El CAC será discutible. Y caro. Pero justifica, con creces, su particular posición dentro de la superoferta museística de la ciudad de Málaga. En esta ocasión nos llegan, de la mano de su director y gerente Fernando Francés, dos visiones del mundo de dos artistas emigrados a Francia, el país que les ha descubierto y consagrado. Cada uno en su propio idioma, el chino Yan Pei-Ming y el argelino Adel Abdessemed dan cuenta de lo mismo: política, religión y violencia, historias de hoy y de siempre.
Y, para suavizar la intensidad de la dosis, Neighbours II, una colectiva que reúne 26 "artistas de proximidad".
Imagen: Yan Pei-Ming, 'Exécution, après Goya', 2008 / Colección particular - Photo: © Jose David
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5.3.2015 | A. G. Abella
· Durand-Ruel. Inventing Impressionism
· The National Gallery
· 4.03.2015 - 31.05.2015
La National Gallery de Londres, el Philadelphia Museum of Art y la Réunion des Musées Nationaux - Grand Palais en colaboración con el Musée d’Orsay organizan esta exposición dedicada a la figura de Paul Durand-Ruel, el galerista, marchante y coleccionista que llevó el impresionismo francés -Manet, Monet, Renoir, Pisarro, Degas, Sisley, Seurat...- a América, a la fama mundial y a las cotizaciones récord en las subastas.
Imagen: Portada del catálogo y condiciones de la subasta de pinturas francesas de la colección de Durand-Ruel en las galerías de W.P. Moore, Nueva York, mayo de 1887 / Philadelphia Museum of Art, Library
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16.9.2014 | David García
· Olafur Eliasson. Riverbed
· Louisiana Museum for Moderne Kunst
· Hasta el 4 de enero de 2015
La "Economía de la Experiencia" mantiene que las empresas deben propiciar acontecimientos memorables ya que, el recuerdo de ese hecho, es el producto en si. La industria avanzada de la experiencia afirma su derecho a obtener beneficios por el valor de transformación que la experiencia produce.
En este caso, por 14.7 € la entrada, el Luisiana Museum dedica gran parte de su espacio a la última instalación de Olafur Eliasson, una propuesta que suscita polémica y controversia: frente al entusiasmo mediático las críticas de los profesionales señalan al director, Poul Erik Tøjner, al que acusan de convertir el museo en un supermercado del arte, uno más, y reclaman el papel que éste elude y debería cumplir.
Imagen: El Luisisna advierte que no es posible visitar la instalación en silla de ruedas y recomienda evitar los zapatos de tacón / Photo: Janus Engel
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6.9.2014 | David García
Tono, coloratura, dinámica, brillo, textura, métrica. Son términos que pueden emplearse para explicar tanto una composición musical como un cuadro. En éste caso, con más motivo. Guillermo Summers G (Madrid, 1968) plantea su particular aventura plástica de la misma manera en que se encaja un riff o se dibuja una línea de bajo, una demostración […]
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9.4.2014 | Isabel Mendoza
· El Greco
· Museo de Santa Cruz, Toledo
· Hasta el 6 de junio de 2014.
Dos cuadros llegados del Met de Nueva York son suficientes para apreciar esa capacidad para el retrato, esa maestría que profundiza hasta hacernos sentir la piel de los retratados, esa cualidad casi periodística que impresiona por su modernidad asombrosa, cercana, inminente.
Sí, pero...
La periodista Isabel Mendoza narra, en primera persona, el caos tremendo que padeció para acceder a la exposición -gritos, empujones y hora y media de espera- a pesar de contar con las entradas y reserva previa de hora. "No vayan a ver al Greco en sábado", es su airada recomendación.
Imagen: El Greco, 'View of Toledo'. Oil on canvas, 121.3 x 108.6 cm / The Metropolitan Museum of Art
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26.11.2013 | David García
· 12 Biennale de Lyon.
· MAC Lyon, La Sucrière, y otras sedes.
· Hasta el 5 de enero de 2014.
CRÍTICA. Un puñado de los consagrados, otro de los ya establecidos, y otros 60 artistas llegados de los cinco continentes forman la coral que resuena desde Lyon. Es la única bienal europea dedicada al arte contemporáneo que ha conseguido llegar sana y en forma a su 12ª edición.
No es fácil seleccionar y presentar el arte que se hace ahora mismo sin caer en la banalidad de lo efímero o lo ocurrente, o en el puro narcisismo intelectual. Se justifica mejor aquí, y se agradece, cuando se cuenta con un “argumento” comprensible para todos los públicos, sin necesidad de humillar su inteligencia.
No puede sorprender que toda la ciudad, Lyon entera, se entregue a participar y a celebrarlo.
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· Joseph Cornell et les surréalistes à New York.
· Museo de Bellas Artes de Lyon. Hasta el 10 de febrero
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10.11.2013 | David García
· Mínima resistencia . Entre el tardomodernismo y la globalización: prácticas artísticas durante las décadas de los 80 y 90.
· Museo Reina Sofía.
· Hasta el 5 de enero de 2014.
CRÍTICA. Tardomodernismo, globalización, postmedia, transversalidad. Como si no se pudiera ver una obra de arte sin una "pluralidad de relatos" que lo acompañen, asistimos al triunfo de la retórica, el apogeo de la palabra pintada, una defensa de la incoherencia como único argumento de autoridad posible. Aquí conviven una instalación de vídeo de cinco canales, un fanzine, una raíz de caucho, un óleo sobre tela, un cartel...
Son obras "abiertas" que debe completar e interpretar el espectador mientras los gestores culturales del museo se afanan en ofrecer la mínima resistencia. ¿A qué? Al final, ya verás, se entiende todo.
Imagen: Peter Fischli y David Weiss. 'Der geringste Widerstand', 1980-1981, película, 29' + 'Untitled' (Small Root), 1987, caucho + 'Untitled' (Rat and Bear, Sleeping), 2008-2009, lana, tela y motor eléctrico.
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22.6.2013 | A. G. Abella
· 'Happy Little Girls', de Ágatha Ruiz de la Prada. IVAM, hasta el 13 / 10 2013
Consuelo Císcar sabe unir moda, arte, peluquería, cocina, famosos... la directora del IVAM ha ido tejiendo una urdimbre de contactos, amistades, relaciones, favores, unos más conocidos, otros menos, al calor de sobremesas, palmaditas en la espalda y apretones de manos. Ante las críticas, Ciscar declara: “Todo correctísimo administrativamente”.
Imagen: Ruiz de la Prada, Agatha, 'Muñecas Agathitas' / IVAM
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15.5.2013 | Pérez de Viñaspre
· 'Hiperrealismo'. Museo Thyssen-Bornemisza, hasta el 09.062013
Parece una foto. Pero no lo es. Parece un museo. Pero son dos. Parece de propiedad pública, pero es de gestión privada. Alberga la colección Carmen Thyssen, un préstamo que parece gratuito, pero no lo es. Según el contrato firmado en 1999 por Mariano Rajoy con las sociedades de la "baronesa" radicadas en paraísos fiscales, en el ejercicio 2011 se traspasan 8.851.653 € en concepto de amortización del valor del derecho de uso de la Colección Carmen Thyssen-Bornemisza.
Una dosis de realismo. En grado Hiper.
Imagen: Audrey Flack, 'Shiva Blue', 1972‐73. Óleo sobre pintura acrílica sobre lienzo, 89 x 127 cm / Colección Susan P. y Louis K. Meisel, Nueva York / Photo © Institut für Kulturaustausch, Tübingen
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7.3.2013 | A. G. Abella
· Agnès Varda
· Centro Andaluz de Arte Contemporáneo
· Hasta el 31.03.2013
· 'Si se buscara dentro de mí, se encontrarían playas'
CRÍTICA. Agnes Varda ha pasado de las salas de cine a los museos. La primera mujer directora de cine de la Nouvelle Vague expone desde hace diez años en salas de todo el mundo. Hans Ulrich Obrist, uno de los comisarios más activos, fue el primero en llamarla para la Bienal de Venecia de 2003.
Ella confiesa ser la misma aunque ahora el público se comporte de modo diferente, puede moverse, puede hacer un recorrido, un recorrido físico pero también mental y emocional. Varda reconoce que su primer amor fue la pintura, no el cine.
A sus 84 años, sigue en estado puro: 'Con la edad se va cayendo todo, pero no la curiosidad.'
Imagen: Agnès Varda / Fotografía de la la galerie des Bouches du Rhône, Aix en Provence, 2013
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14.2.2013 | A. G. Abella
· Ai Weiwei
· Centro Andaluz de Arte Contemporáneo
· Hasta el 23.06.2013
CRÍTICA. Las 5 toneladas de pipas de porcelana (3,3 millones de semillas) que presenta el CAAC con unas severas medidas de seguridad, impuestas por el prestador, no puede ser más ajena a la idea original. La estrella de la exposición, convertida en una lejana alfombra grisácea, carece de sentido.
+
La nueva moneda Ai Weiwei: 'Sunflower seeds' + Cotizaciones + Never Sorry + El empresario, el arquitecto + Expos, vídeos, docs
Imagen: Ai Weiwei, "Sunflowers Seeds", porcelana, 5 toneladas, 2009. / Colección Jan Ghilsalberti, Copenhague. Photo: aaaaarte
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13.12.2012 | A. G. Abella
· Egon Schiele
· Guggenheim Bilbao.
· Hasta el 6.01.2013
CRÍTICA. “Su dibujo era único. La seguridad de su mano era casi infalible. Cuando dibujaba solía sentarse en una banqueta baja, el tablero de dibujo con las hojas sobre las rodillas apoyando la mano.... Y todo era correcto...".
Dibujos, de los que podemos ver un centenar procedentes de los fondos del Albertina Museum de Viena, dibujos a lápiz, acuarelas, guaches, aguadas, tizas, obras acabadas en sí mismas que realizó en poco más de diez años.
Imagen:Egon Schiele, "Seated Couple", 1915 / © Albertina, Vienna
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16.11.2012 | A. G. Abella y David Garcia
·
Hopper
· Gran Palais. Hasta el 28.01.2013
· Hopper. Museo Thyssen. Hasta el 16.09.2012)
CRÍTICA. De Madrid a París, del Thyssen al Grand Palais, una exposición que parece la misma pero no es la misma. Con 45 obras más, el Grand Palais revindica la paternidad del "artista genuínamente americano".
+
Edward Hopper. El nacimiento del arte americano. Por A. G. Abella
Imagen:
Edward Hopper, "Notre Dame nº2", 1907. Óleo sobre tela, 59,7 x 73 cm. / New York, Whitney Museum of American Art, legado de Josephine N. Hopper
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6.10.2012 | A. G. Abella y David Garcia
· Erwin Wurm
· CAC Málaga
· Hasta el 11 de noviembre
CRÍTICA. Más cerca de los Looney Tunes que de El Bosco, Wurm utiliza recursos surrealistas que presenta envueltos en una capa de humor superficial pero con un fondo cargado de crítica y sarcasmo. Su trabajo es una mezcla de sorpresa y juego, un divertimento constante que hipnotiza al espectador y le induce a entrar en contacto directo con sus inquietantes propuestas.
+ Lo que no verás en el CAC + Cotizaciones
Imagen: Erwin Wurm, 'Narrow House' (La casa estrecha, 2010 / CAC Málaga
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15.9.2012 | David García
"Ver o no ver", fotografías de Outumuro . Casa América. Hasta el 10 de noviembre
FOTOGRAFÍA. Manuel Outumuro es famoso por su excepcional trabajo como fotógrafo de moda. Acaba de clausurar "Mirar y pensar Balenciaga" en el Museo del traje, y ya inaugura otra exposición, quizá más importante porque es desinteresada. En "Ver o no ver" Outumuro ha conseguido reunir 50 personajes de la cultura española y hacerles posar con un ojo tapado. Todos han colaborado de forma altruista para dar a conocer la labor de la Fundación Ojos del Mundo, que trata las cegueras evitables en Sahara, Mozambique, Bolivia y Mali.
Imagen: Los 50 personajes de "Ver o no ver" / Fotografías de Manuel Outumuro
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6.9.2012 | Pérez de Viñaspre
CRÍTICA. Un museo ejemplar, el CAPC -centre d’arts plastiques contemporains- de Burdeos, programa durante el verano una retrospectiva de Michel Majerus (*1967 †2002), uno de los grandes agitadores del arte de los noventa. Apenas conocido en España -una instalación en la BIACS de 2004-, en Francia, sin embargo, esta muestra es declarada de Interés Nacional por el Ministerio de Cultura.
Imagen: Michel Majerus, "nothing is permanent", 2000. Acrílico sobre tela, 260x450 / Colección Reno y Veit Görner
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14.7.2012 | A. G. Abella
David Hockney . Museo Guggenheim Bilbao. Hasta el 30 de septiembre
CRÍTICA. Hockney ha vuelto a la tierra de sus orígenes para filmar, fotografiar, digitalizar y pintar sus paisajes. El “artista británico más influyente de todos los tiempos”, según sus propios colegas, reivindica la vigencia del paisaje, el valor del trabajo hecho a mano y su derecho a disfrutar de la vida en una esquina vacía de Gran Bretaña, muy lejos de las piscinas californianas.
+Vídeos, imágenes y prensa
>>
Imagen:
Hockney, 'The Arrival of Spring in Woldgate, East Yorkshire in 2011'. Óleo sobre 32 lienzos, parte de una obra de 52 piezas / © David Hockney-guggenheim-bilbao
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6.3.2012 | A. G. Abella
...cuando vio las cajas con los negativos se recordó un poco la historia y se las dio a mi primo Benjamín, segura de que el sabría que hacer con ellas y cuando Benjamín me comunicó el contenido y que había parientes de Capa los dos acordamos de que se les entregaran...
A. G. Abella investiga la peripecia de estos negativos, ocultos durante más de medio siglo, que han sobrevivido a un largo viaje.
La Maleta Mexicana. El redescubrimiento de los negativos de la Guerra Civil española de Capa, Chim y Taro | Museo de Bellas Artes de Bilbao. Hasta el 10.06.2012 >>
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1.3.2012 | A. G. Abella
Mucha información. Demasiada e inconexa. 4.500 negativos sobre la guerra civil española aparecen en unas cajas de bombones después de más de 70 años...
La Maleta Mexicana. El redescubrimiento de los negativos de la Guerra Civil española de Capa, Chim y Taro | Museo de Bellas Artes de Bilbao. Hasta el 10.06.2012 >>
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10.10.2011 | aaaaarte
Una VídeoEntrevista de Celia Hernández para aaaaarte
Dos series de fotografías realizadas por Ernesto Bazan durante sus 14 años de estancia en Cuba componen esta exposición, que ilustra dos maneras de hacer pero una sola y permanente inquietud por la vida >
Hasta el 12 de noviembre en la Galería Rita Castellote >
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1.10.2011 | aaaaarte
Una VídeoEntrevista de Celia Hernández para aaaaarte
Noël Burch habla con Celia Hernández del mar, el consumo y el capitalismo con motivo de la proyección en Barcelona, durante el festival Loop Videoart 2011, de la película-ensayo "The Forgotten Space" realizada en colaboración con Allan Sekula
"The Forgotten Space" continúa itinerando por todos los rincones del mundo: Madrid, Ljubljana, Buenos Aires, Seoul, Warsaw... >
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14.9.2011 | Pérez de Viñaspre
Exposiciones refritadas y montajes grandilocuentes con vocación de espectáculo, colocan al centro Niemeyer, que programa de todo, en la periferia de la periferia, un circuito de segunda mano que despacha, principalmente, personajes famosos y nombres sonoros.
Para colmo, el nuevo gobierno de Asturias acusa a la Fundación de graves irregularidades económicas >
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16.7.2011 | David García
· 'Historias de la vida material'
· Hasta el 4 de septiembre
Segunda exposición del Centro de Artes Visuales Fundación Helga de Alvear que cumple un año de vida. Una selección de la colección donada a Cáceres por la galerista.
Imagen: Markus Raetz, 'Si-No' (vista del Si), 1996, latón
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16.6.2011 | Redacción
El pabellón español / Dora García / Mabel Palacín / Los Pabellones / Official Awards /Prensa, fotogalerías, vídeos...
4 giugno–27 novembre 2011 >
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9.6.2011 | aaaaarte
Espacio Pepe Pisa. Hasta el 30 de junio >
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27.5.2011 | A. G. Abella
El joven Ribera. En el museo del Prado hasta el 31 de julio / Prorrogada hasta el 28 de agosto >
Las recientes investigaciones sobre las pinturas atribuidas durante décadas a un tal 'Maestro del Juicio de Salomón' vienen a confirmar quién era el verdadero autor. El Museo Nacional del Prado reúne la obra del joven Ribera durante su estancia en Italia, a la que llegó con apenas 15 o 16 años. Una oportunidad para contemplar obras repartidas por todo el mundo >
Imagen: 'Juicio de Salomón', José de Ribera / Maestro del juicio del Solomón. Óleo sobre lienzo, 153 x 201 cm. h. 1609-1610 /Roma, Galleria Borghese
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12.5.2011 | aaaaarte
Una VídeoEntrevista de Celia Hernández para aaaaarte
Pintar es como hacer poesía, pintar es narrar, la pintura es la versión de un artista sobre la realidad. El cubano, Kcho, habla para aaaaarte con motivo de su exposición -dibujos y escultura- en la galería Marlborough Barcelona.
Hasta el 8 de junio >
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18.3.2011 | A. G. Abella
Los cuadros de Chardin no hablan. Lo real no tiene nada que decir y la pintura, cuando es verdadera, tampoco.
Primera gran exposición en España.
En el Museo del Prado hasta el 29 de mayo >
Imagen: La raya, también llamado Interior de cocina (1725-1726). Óleo sobre lienzo, 114 x 146 cm /Museo del Louvre, París
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3.2.2011 | David García
Tres esculturas-pinturas y un objeto-mueble, apenas cuatro piezas, pero recientes, de una figura imprescindible que no resulta, ay!, profeta en su tierra.
Hasta el 5 de marzo en Helga de Alvear >
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8.1.2011 | David García
Enero-noviembre >
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19.12.2010 | A. G. Abella
Los escaparates tapiados con tablas, las mugrosas esquinas, los arañazos, las rasgaduras, los restos de vagabundos, son llevados por Basquiat a grandes lienzos. El grafitero ha muerto. Nace una estrella.
Antes en la Fundación Beyeler y ahora en el Museo de Arte Moderno de la Villa de París. Hasta el 30 de enero >
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29.11.2010 | Jara Fernandez
Del improbable cruce que hubiese supuesto que Wassily Kandinsky se hubiese ido de copas una noche con Jean-Michelle Basquiat podría haber surgido la obra gráfica de Miles Davis.
Gallery 27. Cork Street W1 London, del 7 al 11 de diciembre >
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10.11.2010 | A. G. Abella
Del realismo decimonónico al expresionismo abstracto, un siglo entero de historia de la pintura americana.
En la Fundación Mapfre. Hasta el 16.01.2011 >
+
Laughlin Phillips: cómo ser Presidente de la Phillips Collection y agente de la CIA
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20.10.2010 | Redacción
Precios, técnicas y autores para todos los gustos
Hasta el 24.10.2010 >
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14.10.2010 | A. G. Abella
Pasión por Renoir, 31 obras de la colección del Sterling and Francine Clark Art Institute, en el Museo del Prado (con la garantía del Estado).
Hasta el 13.02.2011 >
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21.9.2010 | David García
Tras el "publirreportaje" llega el "publiarte". Si te apetece ver páginas ampliadas de revistas de lujo (Vogue, The Face, Visionaire, Vanity Fair, V Magazine, Allure)... esta es tu exposición.
Mario Testino, de la mano de Lancôme, en el Museo Thyssen.
Hasta el 9 de enero de 2011 >
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10.9.2010 | Josep Torres Campalans
“Modelos para armar. Pensar Latinoamérica desde la Colección Musac”
Hasta el 09.01.2011 >
MUSAC: menos presupuesto, menos compras y menos exposiciones. En su V aniversario el relato de su breve historia, repleto de sabrosas sorpresas y suculentas coincidencias, no tiene desperdicio.
El entramado de empresas - Gesturcal, La Fundación Siglo, Teconsa- hacen de su gestión un perfecto ejercicio de opacidad >
(Imagen: Agustín Pérez Rubio, director del MUSAC)
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15.7.2010 | A. G. Abella
EXPO. 27 autores plantean alternativas al fotoperiodismo actual, hasta qué punto su trabajo es susceptible de ser manipulado por los media y cómo el monopolio del periodismo profesional está siendo erosionado.
En La Virreina hasta el 10 de octubre >
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26.6.2010 | Pérez de Viñaspre
Un enorme elefante patas arriba, grandes telas, cerámicas y esculturas, acuarelas, dibujos, pósters, libros y cuadernos de viaje.
Miquel Barceló. 1983-2009, en CaixaForum
Hasta el 09.01.2011 >
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23.6.2010 | A. G. Abella
Turner y los Maestros, en el Museo del Prado
Con obras de Rembrandt, Rubens y Claudio de Lorena, entre otros
Hasta el 19 de septiembre de 2010 >
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1.5.2010 | A. G. Abella
Siete nuevas salas del museo del Prado, rehabilitadas por Moneo, acogen los fondos de pintura española del Románico al Renacimiento
+ Obra, autores, procedencias y adquisiciones >
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8.4.2010 | A. G. Abella
Otra historia de reconocimiento tardío. La obra de un "enfermo mental" psiquiatrizado llega a los museos.
En el Reina Sofía, hasta el 12 de julio >
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24.3.2010 | A. G. Abella
Las meninas de Picasso de Richard Hamilton (1973)
Museo del Prado. Hasta el 30 de mayo >
Una broma pesada que vuelve a contravenir el Real Decreto de 1995 que fija la separación del Prado y del Reina Sofía en 1881, año del nacimiento de Picasso >
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17.3.2010 | A. G. Abella
"Las hijas de Edward Darley Boit" de John Singer Sargent, obra invitada en el Museo del Prado, se presenta junto a "Las Meninas de Velázquez"
Hasta el 30 de mayo >
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9.3.2010 | A. G. Abella
El arte del poder. La Real Armería y el retrato de corte
Museo del Prado (viene de la National Gallery of Art de Washington)
Hasta el 23.05.2009>
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9.2.2010 | David García
El Centro de Arte Contemporáneo de Málaga se apunta, primer, a la gira europea de Gilbert & George (G&G) y sus 'Jack Freak Pictures' >
Hasta el 9 de mayo >
+ prensa, vídeo y últimas cotizaciones >
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10.1.2010 | Josep Torres Campalans
Para conmemorar el 75 aniversario del Museu Nacional d’Art de Catalunya Maria Teresa (Maite) Ocaña i Gomà, directora, y Cristina Mendoza, subdirectora, han organizado una lección de historia del "arte catalán".
'Convidats d'honor'. Hasta el 11 de abril >
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3.12.2009 | Redacción
Helga de Alvear, Pepe Cobo y cía, Salvador Díaz , Distrito 4, Nogueras Blanchard, Leandro Navarro, Elvira González, Horrach Moya, Maisterravalbuena, Polígrafa Obra Gráfica, Travesia Cuatro. +Españolas en Pulse. Lo que llevan a Miami las galerías españolas (+ prensa y vídeo)
Hasta el 6 de diciembre >
/actualizado el 7.12.2009
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25.11.2009 | David García
Metáforas asombrosas. La potencia, el crecimiento y la explosión de las formas de la naturaleza. Obra reciente, esculturas en chapa de hierro, 2009.
Hasta el 10 de enero en Travesía Cuatro >
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15.11.2009 | Pérez de Viñaspre
Retratos de Ticiano, Velázquez, Hals, van Dyck, Gainsborough, Goya, Cézanne, Manet, Renoir, Tolouse Lautrec, Modigliani, Picasso.
Mirar y ser visto, Olhar e Ser Visto, otra secuela itinerante que llega, en este caso mutilada, del Museu de Arte de São Paulo a la Fundación Mapfre>
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13.11.2009 | Josep Torres Campalans
Una réplica de 'Cabanon', la casa de vacaciones que planeó y construyó Le Corbusier en 1951 para su propio uso en la Costa Azul, pieza principal de la exposición 'LC 25+1 aproximaciones a una arquitectura'. En la escuela de Arquitectura de A Coruña >
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8.11.2009 | David García
Llegan, con el retraso correspondiente, exposiciones itinerantes dedicadas a los arquitectos estrella. Pasaron Norman Foster y Richard Rogers, Alvar Aalto está a punto de cerrar, pero Palladio en CaixaForum, Niemeyer en la Fundación Telefónica y Lloyd Wright en el Guggenheim siguen abiertas al público.
Consultar fechas >
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1.10.2009 | Pérez de Viñaspre
Canogar da una vuelta de tuerca en la obra reciente que expone en la galería Álvaro Alcázar, una vuelta que le lleva al lienzo con grandes superficies de color y, oh sorpresa, barridos de óleo >
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19.9.2009 | David García
'Abstract Paintings', un pequeño pero intenso recorrido, desde 1970 hasta el presente, por la obra de Richter.
En la galería Arnés+Röpke, hasta finales de octubre >
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14.6.2009 | David García
Matisse, en el Thyssen Bornemisza y Sorolla en el Prado, dos contemporáneos frente a frente, para la temporada de verano.
Hasta el 20 de septiembre >
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7.6.2009 | Redacción
Barceló, en el pabellón español de la Bienal de Venecia + El pabellón catalán + La ruleta rusa de Tania Bruguera en el pabellón de Murcia
+ vídeo y prensa >
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27.5.2009 | Josep Torres Campalans
Ya está en el museo del Prado la antológica de Sorolla que incluye las estampas más tópicas de sus 'Visiones de España', la itinerante patrocinada por Bancaja.
Hasta el 13 de septiembre >
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16.5.2009 | Josep Torres Campalans
Tres "posibles itinerarios" para acercarse a "Temps com a matèria", la gran presentación de la colección y nuevas adquisiciones del MACBA del nuevo director Bartomeu Marí i Ribas >
Hasta el 31 de agosto >
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28.4.2009 | David García
Julio González (*1876†1942), de adopción parisina, figura imprescindible de la historia de la escultura del siglo XX.
Antológica en el MNCARS. Hasta el 1 de junio >
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20.4.2009 | David García
Sólo pintura-pintura. Y, además, figurativa. Juan Gallego en Fernando Pradilla > Los hermanos Guo Jin y Guo Wei en Dolores de la Sierra >
Madrid. Ver fechas>
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15.4.2009 | Redacción
del 16 al 25 de abril >
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15.4.2009 | Josep Torres Campalans
Tres exposiciones, PSJM, Perejaume y Ana Corberó, tres (o cuatro) artistas y tres maneras de estar en la escena contemporánea >
Barcelona. Hasta finales de abril y mayo >
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3.4.2009 | Redacción
Hasta el 30.04.09 >
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1.4.2009 | Pérez de Viñaspre
El primer solo de un artista chino en el Guggenheim Bilbao. Hasta el 6 de septiembre >
+vídeo >
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15.3.2009 | Pérez de Viñaspre
Winter/Höerbelt en la galería scq de Santiago de Compostela>
Jasmina Cibic en AdHoc, Vigo >
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14.3.2009 | Pérez de Viñaspre
El centro Gallego de Arte contemporáneo (cGac) acaba de inaugurar dos exposiciones en torno a la base material de sus propios fondos >
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6.3.2009 | Josep Torres Campalans
Galería Ángels Barcelona. Hasta el 28.03.09 >
Lo último de lo último de Joan Fontcuberta >
De paso: Ángel Marcos + Marine Hugonnier >
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3.3.2009 | David García
Galería Oliva Arauna. Madrid. Hasta el 14.03 >
El trabajo de un activista que convierte sus deseos de denuncia en piezas de reflexión >
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3.3.2009 | David García
Juana de Aizpuru, Madrid. Hasta el 10 de marzo >
Video, instalaciones, fotografía, pintura. Disturbios y antidisturbios >
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26.2.2009 | Josep Torres Campalans
MACBA. Hasta el 26 de abril >
De la factoría de la Tate Modern, una retrospectiva del instigador y pionero de la instalación >
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24.2.2009 | Josep Torres Campalans
Anselm Kiefer. Es Baluard. Mallorca. Hasta el 30.08 >
Un mundo post-nuclear, deshabitado, repleto de ruinas, paisajes desolados, mapas imposibles y plantas carbonizadas >
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20.2.2009 | Pérez de Viñaspre
Takashi Murakami. Museo Guggenheim. Bilbao. Hasta el 31 de mayo >
Camisetas, 45€, cojines, 90€, peluches, 25€. El triunfo del merchandising >
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11.2.2009 | Josep Torres Campalans
(La Sombra. Museo Thyssen / Fundación CajaMadrid) Producen un cierto cansancio estos cursos digestivos de historia del arte, estas exposiciones temáticas de vertiginoso recorrido >
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2.2.2009 | David García
Centelles es a la guerra civil española (Annta Gallery) lo que Walker Evans es a la Gran Depresión americana (Fundación Mapfre) >
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1.2.2009 | Josep Torres Campalans
Consumo, moda, turismo, tecnología, política, sexo, toda la imagenería encantadora del edificio desarrollista es materia de escrutinio y análisis para este barcelonés casi inédito en su propio país >
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26.1.2009 | David García
Tiene Li Wei (Feng Cheng, 1975) un sentido natural del suspense que deposita en forma de fragmentos de historias sin historia, sin planteamiento ni desenlace, en sus enormes óleos >
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22.1.2009 | David García
Hasta mediados de marzo se pueden visitar dos completísimas exposiciones multitodo -diseño experimental y vídeo- en la Laboral de Gijón >
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19.1.2009 | Pérez de Viñaspre
Servicios de té, cristalería, vajilla, todo el proceso creativo, de la idea al concepto y del prototipo al producto acabado, ha exhibido Patricia Urquiola en el
Desing Museum durante este invierno >
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18.1.2009 | David García
Lorenz Estermann (Linz,1968) expone por primera vez en Madrid su trabajo en papel junto a modelos tridimensionales, objetos que conectan pintura-dibujo, escultura-instalación, arquitectura y fotografía >
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15.1.2009 | Josep Torres Campalans
Siete dípticos -catorce piezas de una nueva serie- y dos solos, junto a una serie de fotografías, balance 2008 de Gerardo Delgado >
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13.1.2009 | David García
Presenta Alfonso Albacete, en la Marlborough, dos óleos -dentro de la irregular "muestra de invierno" que incluye alguna firma de escasísimo interés- y 10 serigrafías >
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28.12.2008 | Josep Torres Campalans
Cumple Antoni Tàpies sus 85 años -13 de diciembre- exhibiendo su trabajo más reciente: pintura y ensamblajes sobre madera y tela en Madrid y obra sobre papel y cartón ondulado en París >
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13.12.2008 | David García
¿Qué hay en las sombras de un paisaje? No es una pregunta retórica, una mera cuestión técnica, de detalle, de revelado, un problema de diafragma y exposición, un enunciado académico. Es una forma incruenta de caza >
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12.12.2008 | David García
12.11.09. Ayer inauguró, y ya se vieron puntos rojos, la exposición colectiva que por estas fechas tiene por costumbre montar la galería Sen.
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11.12.2008 | David García
El Premio Nacional de Arte Gráfico 2008, Fernando Bellver, expone en la galería Pelayo47. Enrique Flores publica algunos dibujos en el nº2 de Bloc que se presentó en Sins Entido donde también expone Juanjo Sáez.
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21.11.2008 | Josep Torres Campalans
Vuelve Eduardo Arroyo, un año más por estas mismas fechas, a la galería Estampa. Las acuarelas de la anterior -Tu nombre viene lento- se han tornado ahora en lámparas, ventanas, platos, candelabros...
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20.11.2008 | Pérez de Viñaspre
Un puntazo para Miguel Zugaza, director del Prado, que ha aprovechado el cierre temporal del Museo Albertinum y la cesión de sus mejores obras, para rescatar Las Musas, 20 esculturas de la propia colección.
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20.11.2008 | David García
Con la incorporación a los fondos del museo Guggenheim de los Nueve discursos sobre Cómodo de Twombly, Carmen Giménez ha organizado esta panorámica que reúne materiales desde 1951 a la actualidad.
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11.11.2008 | Josep Torres Campalans
Tras el chasco de la última exposición de Miró, que no cubrió las expectativas en número de visitas, llega ahora este panorama del arte de vanguardia con la esperanza de recuperar el favor del público.
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7.11.2008 | David García
Derrocha Laurina un humor ácido, cínico, divertido, que propone una Disneylandia al revés. Un estilo aparentemente para niños poblado de personajes inspirados en el cómic popular.
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30.10.2008 | David García
Vuelve Fernando Bermejo a Madrid a encender la luz de sus últimos trabajos. Acrílico sobre papel japonés e italiano, retroiluminado en piezas grandes.
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27.10.2008 | David García
Del 21 al 26 de octubre se pudo visitar en la Casa de Vacas del Retiro de Madrid FEM'8, la última edición del festival que presenta lo más nuevo en arte contemporáneo.
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4.7.2008 | David García
La galería Toni Tàpies de Barcelona exhibe la primera exposición de Edward Burtynsky en España, después de haberle representado en ARCO este mismo año. La exposición de Barcelona es sólo una breve muestra de lo que se puede ver ahora en Madrid en la galería Arnes y Ropke.
