aaaaarte

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1651
  • aaaaarte en Twitter
Martes, 8.12.2020

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A nuestros lectores / To our readers / À nos lecteurs

1.9.2017 | Redacción

♣
 Siguenos en twitter
♦
 Follow us on twitter
♥
 Suivez-nous sur twitter
♠


· Esta publicación ha sido descontinuada hasta nuevo aviso.
· This publication has been discontinued until further notice.
· Cette publication a été interrompue jusqu'à une mise à jour ultérieure.

  ………………………………………………………………………………..............................…...  
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Argelia Bravo. El Arte como Militancia

Argelia Bravo. El Arte como Militancia

16.11.2015 | A. G. Abella

· Argelia Bravo
· Biennale di Venezia / Venezuelan Pavilion
· 9May-22Nov 2015

Argelia Bravo tiene el valor de proteger su independencia y, sin salir de su país, mantenerse sumergida en lo local, en contacto con los ámbitos más cercanos y que mejor conoce, alejada de la primera línea del negocio del arte globalizado. De su obra, que reivindica el panfleto, emana frescura, humor y un profundo compromiso con la humanidad.
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Juan Manuel Castro Prieto<br />Premio Nacional de Fotografía 2015 (€ 30.000)

Juan Manuel Castro Prieto
Premio Nacional de Fotografía 2015 (€ 30.000)

5.11.2015 | Redacción

El Ministerio de Educación, Cultura y Deporte concede a Juan Manuel Castro Prieto (Madrid, 1958) el Premio Nacional de Fotografía 2015 por" su notable aportación a la fotografía española en su contenido y estética"
+ Prensa, official website, etc.
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Irina Nakhova. Regreso al Verde

Irina Nakhova. Regreso al Verde

6.6.2015 | A. G. Abella

· Irina Nakhova
· Venice Art Biennale. Russian Pavilion
· 9May-22Nov 2015

El pabellón ruso expone por primera vez el trabajo de una mujer, Irina Nakhova (Moscú, 1955) que vive y trabaja entre Rusia y Estados Unidos. Otras dos mujeres completan el equipo, Stella Kesaeva, presidenta de la Stella Art Foundation, promotora del arte ruso contemporáneo, y la comisaria independiente Margarita Masterkova, experta reconocida en las Vanguardias rusas. “El Pabellón verde” es un homenaje al edificio construido en 1913 por el arquitecto Aleksey Schusev pero repleto ahora de señales nuevas sobre los viejos mensajes.

Imagen: Gran máscara de gas, instalación de Irina Nakhova en el pabellón ruso de la Bienal de Venecia / Cortesía The Russian Pavillion

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Yayoi Kusama, y III. Caída y Apoteosis Final

Yayoi Kusama, y III. Caída y Apoteosis Final

11.12.2014 | A. G. Abella

· Tercera parte. A.G. Abella termina en esta última entrega, el apasionado recorrido por la peripecia vital de la “Sacerdotisa de los lunares”. De los happenings y performances de finales de los 60 y primeros 70, el posterior fracaso de sus negocios en Nueva York y su regreso a Japón, hasta sus colaboraciones con marcas y almacenes de prestigio, las exposiciones en las mejores galerías, las grandes retrospectivas, y el reconocimiento definitivo y total.
Imagen: De la exposició 'Yayoi Kusama. Obsesión Infinita' en el Museo Tamayo
· Primera parte: Yayoi Kusama. La Princesa de los Lunares. O un Jardín Japonés
· Segunda parte: Yayoi Kusama II. En Estados Unidos con 60 Kimonos
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Duncan Campbell, Turner Prize 2014

Duncan Campbell, Turner Prize 2014

8.12.2014 | Redacción

+ Expos + videos + press
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Esther Ferrer, Premio Velázquez de Artes Plásticas 2014

Esther Ferrer, Premio Velázquez de Artes Plásticas 2014

12.11.2014 | Redacción

Esther Ferrer (Donostia, 1937), Premio Velázquez de Artes Plásticas 2014 (100.000 euros), por "la coherencia y el rigor de su trabajo durante cinco décadas"
+ Esther Ferrer, Premio Nacional de Artes Plásticas 2008 (30.000 euros)
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Olafur Eliasson. <br />Una Lección de Economía de la Experiencia

Olafur Eliasson.
Una Lección de Economía de la Experiencia

16.9.2014 | David García

· Olafur Eliasson. Riverbed
· Louisiana Museum for Moderne Kunst
· Hasta el 4 de enero de 2015
La "Economía de la Experiencia" mantiene que las empresas deben propiciar acontecimientos memorables ya que, el recuerdo de ese hecho, es el producto en si. La industria avanzada de la experiencia afirma su derecho a obtener beneficios por el valor de transformación que la experiencia produce.
En este caso, por 14.7 € la entrada, el Luisiana Museum dedica gran parte de su espacio a la última instalación de Olafur Eliasson, una propuesta que suscita polémica y controversia: frente al entusiasmo mediático las críticas de los profesionales señalan al director, Poul Erik Tøjner, al que acusan de convertir el museo en un supermercado del arte, uno más, y reclaman el papel que éste elude y debería cumplir.

Imagen: El Luisisna advierte que no es posible visitar la instalación en silla de ruedas y recomienda evitar los zapatos de tacón / Photo: Janus Engel

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Allan Sekula (*1951–†2013) <br />In Memoriam

Allan Sekula (*1951–†2013)
In Memoriam

16.1.2014 | A. G. Abella

Prácticamente desconocido en España, Allan Sekula murió el pasado agosto, víctima de un cáncer, a la edad de 62 años. A contracorriente, erudito, militante, maestro, crítico ....Un artista atípico totalmente involucrado en desentrañar el mundo de la economía y las relaciones laborales. Contador de historias con finales no felices, la industria en la sociedad capitalista, la explotación y los daños colaterales.

Imagen: Allan Sekula nadando frente a la casa de Bill Gates en Seattle. 1999. Autorretrato / © Allan Sekula

+
· video > Noël Burch habla para aaaaarte de la película-ensayo "The Forgotten Space" realizada en colaboración con Allan Sekula
Una VídeoEntrevista de Celia Hernández
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Alejandro Cabrera. «Diving in progress»

Alejandro Cabrera. «Diving in progress»

11.12.2013 | David García

· Galería Adriana Suarez, Gijón. Hasta el 12.01.2014

Alejandro expone una selección de su trabajo más íntimo y experimental, una primicia para todos los que solo conocen la parte pública de su fotografía, una serie de imágenes basadas en una narrativa neosurrealista, en la pureza de la luz, y en la factura impecable de siempre.
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Laure Prouvost, Turner Prize 2013

Laure Prouvost, Turner Prize 2013

4.12.2013 | Redacción

Laure Prouvost, Turner Prize 2013 + Página oficial
+ Turne Prize shortlist exhibition
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Lyon. Una Bienal Nada Banal

Lyon. Una Bienal Nada Banal

26.11.2013 | David García

· 12 Biennale de Lyon.
· MAC Lyon, La Sucrière, y otras sedes.
· Hasta el 5 de enero de 2014.

CRÍTICA. Un puñado de los consagrados, otro de los ya establecidos, y otros 60 artistas llegados de los cinco continentes forman la coral que resuena desde Lyon. Es la única bienal europea dedicada al arte contemporáneo que ha conseguido llegar sana y en forma a su 12ª edición.
No es fácil seleccionar y presentar el arte que se hace ahora mismo sin caer en la banalidad de lo efímero o lo ocurrente, o en el puro narcisismo intelectual. Se justifica mejor aquí, y se agradece, cuando se cuenta con un “argumento” comprensible para todos los públicos, sin necesidad de humillar su inteligencia.
No puede sorprender que toda la ciudad, Lyon entera, se entregue a participar y a celebrarlo.
+
· Joseph Cornell et les surréalistes à New York.
· Museo de Bellas Artes de Lyon. Hasta el 10 de febrero
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Alberto Schommer, Premio Nacional de Fotografía 2013

Alberto Schommer, Premio Nacional de Fotografía 2013

12.11.2013 | Redacción

Alberto Schommer, Premio Nacional de Fotografía 2013 (30.000 €) + press + publicaciones
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Agnès Varda, la Mujer de las Orillas

Agnès Varda, la Mujer de las Orillas

7.3.2013 | A. G. Abella

· Agnès Varda
· Centro Andaluz de Arte Contemporáneo
· Hasta el 31.03.2013

· 'Si se buscara dentro de mí, se encontrarían playas'
CRÍTICA. Agnes Varda ha pasado de las salas de cine a los museos. La primera mujer directora de cine de la Nouvelle Vague expone desde hace diez años en salas de todo el mundo. Hans Ulrich Obrist, uno de los comisarios más activos, fue el primero en llamarla para la Bienal de Venecia de 2003.
Ella confiesa ser la misma aunque ahora el público se comporte de modo diferente, puede moverse, puede hacer un recorrido, un recorrido físico pero también mental y emocional. Varda reconoce que su primer amor fue la pintura, no el cine. A sus 84 años, sigue en estado puro: 'Con la edad se va cayendo todo, pero no la curiosidad.'

Imagen: Agnès Varda / Fotografía de la la galerie des Bouches du Rhône, Aix en Provence, 2013

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Ai Weiwei. Cinco Toneladas de Pipas en la Cartuja

Ai Weiwei. Cinco Toneladas de Pipas en la Cartuja

14.2.2013 | A. G. Abella

· Ai Weiwei
· Centro Andaluz de Arte Contemporáneo
· Hasta el 23.06.2013

CRÍTICA. Las 5 toneladas de pipas de porcelana (3,3 millones de semillas) que presenta el CAAC con unas severas medidas de seguridad, impuestas por el prestador, no puede ser más ajena a la idea original. La estrella de la exposición, convertida en una lejana alfombra grisácea, carece de sentido.
+ La nueva moneda Ai Weiwei: 'Sunflower seeds' + Cotizaciones + Never Sorry + El empresario, el arquitecto + Expos, vídeos, docs

Imagen: Ai Weiwei, "Sunflowers Seeds", porcelana, 5 toneladas, 2009. / Colección Jan Ghilsalberti, Copenhague. Photo: aaaaarte

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Eugeni Forcano, premio Nacional de Fotografía 2012

Eugeni Forcano, premio Nacional de Fotografía 2012

26.11.2012 | Redacción

Eugeni Forcano Andreu (Canet de Mar, 1926) ha sido galardonado "por la extraordinaria calidad de su trabajo" con el Premio Nacional de Fotografía 2012, que concede el Ministerio de Educación, Cultura y Deporte y está dotado con 30.000 euros >>
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<em>Erwin Wurm. Soy una Casa?</em>

Erwin Wurm. Soy una Casa?

6.10.2012 | A. G. Abella y David Garcia

· Erwin Wurm
· CAC Málaga
· Hasta el 11 de noviembre

CRÍTICA. Más cerca de los Looney Tunes que de El Bosco, Wurm utiliza recursos surrealistas que presenta envueltos en una capa de humor superficial pero con un fondo cargado de crítica y sarcasmo. Su trabajo es una mezcla de sorpresa y juego, un divertimento constante que hipnotiza al espectador y le induce a entrar en contacto directo con sus inquietantes propuestas.
+ Lo que no verás en el CAC + Cotizaciones
Imagen: Erwin Wurm, 'Narrow House' (La casa estrecha, 2010 / CAC Málaga
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Outumuro. Ver o No Ver

Outumuro. Ver o No Ver

15.9.2012 | David García

"Ver o no ver", fotografías de Outumuro . Casa América. Hasta el 10 de noviembre

FOTOGRAFÍA. Manuel Outumuro es famoso por su excepcional trabajo como fotógrafo de moda. Acaba de clausurar "Mirar y pensar Balenciaga" en el Museo del traje, y ya inaugura otra exposición, quizá más importante porque es desinteresada. En "Ver o no ver" Outumuro ha conseguido reunir 50 personajes de la cultura española y hacerles posar con un ojo tapado. Todos han colaborado de forma altruista para dar a conocer la labor de la Fundación Ojos del Mundo, que trata las cegueras evitables en Sahara, Mozambique, Bolivia y Mali.
Imagen: Los 50 personajes de "Ver o no ver" / Fotografías de Manuel Outumuro
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La Maleta Mexicana vuelve a España / y II

La Maleta Mexicana vuelve a España / y II

6.3.2012 | A. G. Abella

...cuando vio las cajas con los negativos se recordó un poco la historia y se las dio a mi primo Benjamín, segura de que el sabría que hacer con ellas y cuando Benjamín me comunicó el contenido y que había parientes de Capa los dos acordamos de que se les entregaran...
A. G. Abella investiga la peripecia de estos negativos, ocultos durante más de medio siglo, que han sobrevivido a un largo viaje.

La Maleta Mexicana. El redescubrimiento de los negativos de la Guerra Civil española de Capa, Chim y Taro | Museo de Bellas Artes de Bilbao. Hasta el 10.06.2012 >>
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La Maleta Mexicana vuelve a España / I

La Maleta Mexicana vuelve a España / I

1.3.2012 | A. G. Abella

Mucha información. Demasiada e inconexa. 4.500 negativos sobre la guerra civil española aparecen en unas cajas de bombones después de más de 70 años...

La Maleta Mexicana. El redescubrimiento de los negativos de la Guerra Civil española de Capa, Chim y Taro | Museo de Bellas Artes de Bilbao. Hasta el 10.06.2012 >>
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Joan Fontcuberta: <em>‘De tanto ver ya no vemos nada’</em>

Joan Fontcuberta: ‘De tanto ver ya no vemos nada’

24.12.2011 | aaaaarte
Una VídeoEntrevista de Celia Hernández para aaaaarte

Joan Fontcuberta defiende, con hechos, lo que mantiene con su palabra. Militante de la vanguardia radical, crítico social, no para, sin embargo, de recibir galardones y reconocimiento institucional.
Premio Nacional de Ensayo 2011, Premi Nacional de Cultura-Arts Visuals 2011, Fontcuberta nos recibe en el Círculo de Bellas Artes de Madrid con motivo de su reciente intervención en el Curso de Apreciación del Arte Contemporáneo >>
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Dando una vuelta -fotográfica- un domingo de lluvia

1.11.2011 | Redacción
Act. 01.03.2011 >
Adam Seward, Agnes Karin Thor, Alec Soth, Alessandro di Giampietro, Alethea Austin, Ali ...
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Rafael Sanz Lobato, Premio Nacional de Fotografía 2011

Rafael Sanz Lobato, Premio Nacional de Fotografía 2011

27.10.2011 | Redacción
El premio, que concede el Ministerio de Cultura, está dotado con 30.000 euros >
+
2010: José Manuel Ballester / 2009: Gervasio Sánchez >
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Ernesto Bazan. En Busca de la Vida Cotidiana

Ernesto Bazan. En Busca de la Vida Cotidiana

10.10.2011 | aaaaarte
Una VídeoEntrevista de Celia Hernández para aaaaarte

Dos series de fotografías realizadas por Ernesto Bazan durante sus 14 años de estancia en Cuba componen esta exposición, que ilustra dos maneras de hacer pero una sola y permanente inquietud por la vida >
Hasta el 12 de noviembre en la Galería Rita Castellote >
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Noël Burch: ‘La Globalización es Mortífera’

Noël Burch: ‘La Globalización es Mortífera’

1.10.2011 | aaaaarte
Una VídeoEntrevista de Celia Hernández para aaaaarte

Noël Burch habla con Celia Hernández del mar, el consumo y el capitalismo con motivo de la proyección en Barcelona, durante el festival Loop Videoart 2011, de la película-ensayo "The Forgotten Space" realizada en colaboración con Allan Sekula
"The Forgotten Space" continúa itinerando por todos los rincones del mundo: Madrid, Ljubljana, Buenos Aires, Seoul, Warsaw... >
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<em>Very Nice</em>. Por Pepe Botella

Very Nice. Por Pepe Botella

4.6.2011 | David García
Para los que han tenido contacto con la fotografía española de las últimas décadas Pepe Botella no necesita presentación. Es uno de los grandes. Para los demás mortales cabe un cien por cien de posibilidades de que se hayan alimentando con sus imágenes, sin saberlo, a través de sus colaboraciones en las revistas más exigentes […]
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José Manuel Ballester, Premio Nacional de Fotografía 2010 (30.000 euros)

José Manuel Ballester, Premio Nacional de Fotografía 2010 (30.000 euros)

11.11.2010 | Redacción
Ballester: «No soy un fotógrafo ortodoxo» >
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Una Vuelta por Estampa 2010

Una Vuelta por Estampa 2010

20.10.2010 | Redacción
Precios, técnicas y autores para todos los gustos
Hasta el 24.10.2010 >
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Guy Bourdin. Un Mensaje -Radical- para Ti

10.10.2010 | Pérez de Viñaspre
Guy Bourdin
14.10.2010 — 09.01.2011
Sala Canal de Isabel II

En el lugar de los productos de , lujo, moda y belleza, Bourdin coloca en el centro de la imagen oscuras fantasías de lujuria, misterio, consumo y deseo
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Lancôme Mete a Testino en el Museo Thyssen

Lancôme Mete a Testino en el Museo Thyssen

21.9.2010 | David García
Tras el "publirreportaje" llega el "publiarte". Si te apetece ver páginas ampliadas de revistas de lujo (Vogue, The Face, Visionaire, Vanity Fair, V Magazine, Allure)... esta es tu exposición.
Mario Testino, de la mano de Lancôme, en el Museo Thyssen.
Hasta el 9 de enero de 2011 >
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Antifotoperiodismo. Disfruta la Pobreza

Antifotoperiodismo. Disfruta la Pobreza

15.7.2010 | A. G. Abella

EXPO. 27 autores plantean alternativas al fotoperiodismo actual, hasta qué punto su trabajo es susceptible de ser manipulado por los media y cómo el monopolio del periodismo profesional está siendo erosionado.
En La Virreina hasta el 10 de octubre >
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Gervasio Sánchez, Premio Nacional de Fotografía 2009

Gervasio Sánchez, Premio Nacional de Fotografía 2009

9.11.2009 | admin
Premio del Ministerio de Cultura por su compromiso continuado con la fotografía como herramienta de denuncia de la violencia en los conflictos armados >
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SevillaFoto, viva. MadridFoto, desangelada

SevillaFoto, viva. MadridFoto, desangelada

8.5.2009 | David García
Los coleccionistas miran hacia la fotografía. MadridFoto, que trata de hacerse un hueco en el sector, se presenta sin pena ni gloria mientras el festival SevillaFoto está vivo y lleno de actividad >
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Les Rancontres, en Madrid

Les Rancontres, en Madrid

15.4.2009 | Redacción
del 16 al 25 de abril >
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El cGac enseña sus fondos

El cGac enseña sus fondos

14.3.2009 | Pérez de Viñaspre
El centro Gallego de Arte contemporáneo (cGac) acaba de inaugurar dos exposiciones en torno a la base material de sus propios fondos >
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Lo último: arte virtual

Lo último: arte virtual

8.3.2009 | David García
De la vida del arte real al arte virtual (y también real) en la SecondLife (segunda vida) >
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Fontcuberta. Blow up al cuadrado

Fontcuberta. Blow up al cuadrado

6.3.2009 | Josep Torres Campalans
Galería Ángels Barcelona. Hasta el 28.03.09 >
Lo último de lo último de Joan Fontcuberta >
De paso: Ángel Marcos + Marine Hugonnier >
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Por San Valentín, un libro de Amor

Por San Valentín, un libro de Amor

14.2.2009 | Redacción
Fotografía >
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Centelles. Evans. Los años difíciles del fotoperiodismo

Centelles. Evans. Los años difíciles del fotoperiodismo

2.2.2009 | David García
Centelles es a la guerra civil española (Annta Gallery) lo que Walker Evans es a la Gran Depresión americana (Fundación Mapfre) >
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Todo multi: Nowhere/Now/Here+There’s no road

Todo multi: Nowhere/Now/Here+There’s no road

22.1.2009 | David García
Hasta mediados de marzo se pueden visitar dos completísimas exposiciones multitodo -diseño experimental y vídeo- en la Laboral de Gijón >
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Manel Esclusa hurga en las sombras

Manel Esclusa hurga en las sombras

13.12.2008 | David García
¿Qué hay en las sombras de un paisaje? No es una pregunta retórica, una mera cuestión técnica, de detalle, de revelado, un problema de diafragma y exposición, un enunciado académico. Es una forma incruenta de caza >
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García-Alix. El maldito entra en el museo

García-Alix. El maldito entra en el museo

5.11.2008 | David García
Completísima retrospectiva de este outsider, fotógrafo de la vida sin límites, provocador. La exposición ocupa, con generosidad, varias salas de la tercera planta del Reina Sofía.
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FEM’08. Nuevos y novísimos

27.10.2008 | David García
Del 21 al 26 de octubre se pudo visitar en la Casa de Vacas del Retiro de Madrid FEM'8, la última edición del festival que presenta lo más nuevo en arte contemporáneo.
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Burtynsky, de cantera en cantera

4.7.2008 | David García
La galería Toni Tàpies de Barcelona exhibe la primera exposición de Edward Burtynsky en España, después de haberle representado en ARCO este mismo año. La exposición de Barcelona es sólo una breve muestra de lo que se puede ver ahora en Madrid en la galería Arnes y Ropke.