arte / arte contemporáneo / diseño / arquitectura / revista crítica

aaaaarte

Martes, 8.12.2020

BuenFinde

RevistadePrensa

En curso

Ver + en Agenda

Enlaces

JULY 2015

Por Redacción | 1.7.2015

Fine Arts and Design Exhibitions July’15

Rousseau / Hirst / Corbusier / Hockney / Gormley / Aitken / Opie / da Vinci / Bonnard / Whistler / Serra / Horn / Botero…
………………………………………………………………………………………………………

> Anthony Friedkin, Steve Kahn, Grant Mudford . Joseph Bellows Gallery …3Jul

· slides > Ben Cauchi . Ingleby Gallery …4Jul

· slides > Henri Rousseau . Palazzo Ducale …5Jul

> The body in ancient Greek art . British Museum …5Jul

> Roma 900 . Fondazione Magnani Rocca …5Jul

> Damien Hirst . The Lightbox …5Jul

'Black, Ochre, Red Over Red' by Rothko at tLes Clefs d'une passion exhibition / Photo: Justin Lorget-Corbis

‘Black, Ochre, Red Over Red’ by Rothko at ‘Les Clefs d’une passion’ exhibition / Photo: Justin Lorget-Corbis

> Les Clefs d’une passion (Picasso, Matisse, Munch, Rothko…) . Fondation Louis Vuitton …6Jul

> Re-Corbusier. Sixteen Contemporary Artworks . Maison La Roche …6Jul

> Qi Baishi . Bowers Museum …11Jul

· slides > Superflex . Von Bartha …11Jul
+ video > Superflex: Euphoria Now. Solo Exhibition at von Bartha, Basel vtv-vimeo

· slides > Georg Baselitz & Emilio Vedova . Galerie Thaddaeus Ropac…11Jul

> Beatriz Olabarrieta . Northern Gallery For Contemporary Art …11Jul

E-Mail Share via e-mail To Add a message Your e-mail Facebook Twitter Google+ LinkedIn 4 Comments Print By Sebastian SmeeGlobe Staff March 14, 2015 Frida Kahlo’s 1931 work “Frieda and Diego Rivera.” Don Ross Frida Kahlo’s 1931 work “Frieda and Diego Rivera.” DETROIT — When Frida Kahlo came to the United States in 1931, she found the entire country “ugly and stupid,” and longed to return home to Mexico. Frida Kahlo’s “Self Portrait with Cropped Hair.” Museum of Modern Art Frida Kahlo’s “Self Portrait with Cropped Hair.” Her husband Diego Rivera, on the other hand, was mightily stimulated. The charismatic, cow-eyed, fat-belted muralist was already an international art star, and he arrived in Detroit in 1932 ready to execute what he thought of as his life’s masterpiece, the Detroit Industry murals at the Detroit Institute of Arts. Kahlo was barely an artist at this point. She had talent, she had dabbled, but her efforts had been sporadic. She and Rivera, both avowed communists, had met when she was an art student. By the time they came to America, he was not long returned from a nine-month stint in Soviet Russia, and their marriage was less than two years old. She was very much in his shadow. Detroit changed everything for Kahlo — and, more obliquely, for Rivera, too. It was in that city — convulsed at the time by massive labor protests, murderous police responses, and a Depression deepening in severity by the month — that Kahlo’s art began to wriggle to life. “Diego Rivera and Frida Kahlo in Detroit,” a new exhibition at the Detroit Institute of Arts, focuses on the year this illustrious Mexican double act spent in the city. Organized by Mark Rosenthal, it’s not the first exhibition on Kahlo and Rivera in recent times; two years ago, three North American museums collaborated on “Frida & Diego: Passion, Politics and Painting.” Yet given their fame, it’s surprising how few exhibitions have addressed these astonishing artists together. The DIA show has a tight, scene-setting prologue and a more lavish epilogue that conveys some of the harrowing brilliance of Kahlo’s post-Detroit career. The highlight is a wall of Kahlo’s self-portraits, which includes the celebrated “Self-Portrait with Cropped Hair” (1940) from the Museum of Modern Art, and “Double-Portrait of Diego and I” (1944) – a tiny image showing the right half of Rivera’s head conjoined with the left half of Rivera’s, both textured like braille, the remarkable image obsessively framed in shells. Diego Rivera’s “Detroit Industry, south wall (detail).” Detroit Institute of Arts Diego Rivera’s “Detroit Industry, south wall (detail).” / DIA

Diego Rivera’s “Detroit Industry», south wall (detail) / Detroit Institute of Arts

> Diego Rivera and Frida Kahlo . Detroit Institute of Arts …12Jul

· slides > David Hockney . Annely Juda Fine Art …12Jul

> 48 obras apreendidas na Operação Lava Jato . Museu Oscar Niemeyer …12Jul

· slides > Dandy Lion . Museum of Contemporary Photography …12Jul

Antony Gormley, ‘Small stop’, 2013. Cast iron, 26.5 x 23 x 40 cm / Galerie Thaddaeus Ropac

· slides > Antony Gormley . Galerie Thaddaeus Ropac …18Jul
+ video > Antony Gormley, «Second Body» gtr-ytb

> Doug Aitken . Galerie Eva Presenhuber …18Jul

· slides > Joan Miró . Nahmad Contemporary …18Jul

> Julian Opie . Alan Cristea Gallery …18Jul

> John Stezaker . De La Warr Pavilion …19Jul

Leonardo Da Vinci
Le proporzioni del corpo secondo Vitruvio (L’uomo vitruviano) / Venezia, Gallerie dell’Accademia, Gabinetto dei Disegni e Stampe

· slides > Leonardo 1452–1519 . Palazzo Reale, Milan …19Jul

· slides > Markus Lüpertz . Musée d’Art Moderne de la Ville de Paris …19Jul

> Pierre Bonnard . Musee d’Orsay …19Jul

· slides > Whistler . Yale University Art Gallery …19Jul

> Latin America in Construction: Architecture 1955–1980 . MoMA …19Jul

> De Giotto a Caravage . Musée Jacquemart-André …20Jul

> L’Épopée des rois thraces . Louvre …20Jul

Richard Serra,
‘Equal’, 2015. Forged weatherproof steel, four stacks of two blocks / Photo: Tim Nighswander-IMAGING4ART, courtesy of David Zwirner, New York

· slides > Richard Serra . David Zwirner …24Jul

· slides > Oda Jaune . Galerie Templon …Jul 24

> Raqib Shaw . Galerie Thaddaeus Ropac …25Jul

· slides > Roni Horn . Hauser & Wirth …25Jul

· slides > Yves Oppenheim . Galerie Max Hetzler …25Jul